Delay

Category: Space | Scope: Section-level

Repeating echoes that add rhythmic depth to the sound.

Macros

Presets

Slap, Echo, Long Echo, Tape.

How the settings work together

Time + Feedback define the rhythm and length of the echo tail. Time sets how far apart each repeat is — short times (50–100 ms) create a "slap back" that thickens the sound without obvious echoes. Longer times (300–500 ms) produce distinct rhythmic repeats. Feedback controls how many times the echo repeats — low feedback gives one or two fading repeats, high feedback creates a long trail of echoes that can build up and fill the space. Very high feedback with long time can cause echoes to pile up and overwhelm the mix, so increase feedback gradually.

Mix sets how loud the echoes are relative to the original sound. Low mix (10–20%) adds depth and space without making the delay obvious — the sound just feels "bigger." Higher mix makes the echoes a featured part of the sound, which works for ambient and dub-style effects. On rhythmic instruments, keep the mix moderate so the echoes don't obscure the groove.

Time + Mix interact in an important way: short time with high mix creates a doubling effect (similar to chorus). Long time with low mix adds a sense of space. Long time with high mix creates a wash of overlapping echoes — atmospheric but potentially muddy.

When to use it

Subtle delay on vocals and lead instruments adds depth. Heavier delay on guitar creates ambient textures. Use different settings per section — light delay in the verse, more prominent in the bridge.